A posthumous
letter to Dame Emma Marie Louise Cecile Lajeunesse, dite Albani (1847-1930)
Chere Emma:
A new millenium has just begun and, regrettably,
the memory of you and of your artistic achievements have been fading.
However, you would take comfort in finding that this memory is now safely
stored, in print, and can be rekindled at any point in time in the future.
It reads in part as follows:
"In the course of a career spanning four decades
Emma Albani became the first Canadian-born artist to achieve international
fame. Her exceptionally beautiful voice, the solid musical and vocal training
she acquired in her youth and later developed in conjunction with the best
teachers, her mastery of French, English, Italian, and German, and her
quickness in assimilating a new score all contributed to her strong appeal
to conductors and composers and made her one of the most sought-after singers
of her time." (Gilles Potvin, "Emma Albani").
I would not hesitate to assert, in class, that
you were the first person born in Canada, ever to achieve international
fame.
Nobody born in that country -- the learned, the
politically powerful, the militarily glorious, not even the socially constructed
great white men in history -- had ever received the global acclaim you
did in London, Paris, Messina, Florence, Malta, Moscow, St. Petersburg,
Dublin, Monte Carlo, Brussels, Milan, New York City, Glasgow, Stockholm,
Mexico City, Vienna and, yes, Montreal and Toronto.
But if this global success was achieved because
of a voice, an astonishing coloratura voice , is it not ironic that it
all began , not in French Canada where no such achievement was considered
likely by your father, but as a church singer in Albany, N.Y..
So
The first truly famous Canadian person throughout
the western world is you -- a politically powerless French American
female orphan. That is not even really debatable; it's a "fact".
Like Marion Anderson and Paul Robeson, years
later, you managed to climb to such Olympian artistic heights by excelling
in a highly elitist cultural form, the opera.
Like Calixa Lavallee, the Boston-based composer
of Canada's national anthem, this success hinged on a Franco-American experience
because success, in Canada, was out of reach.
And like other "fallen" celebrities and
sport heroes of your day, you had to humble yourself, at the end of your
career, to earn a living.
But the memory of you, in print, will not fade
away.
With the utmost respect
Jean-Jacques Joseph Arthur Ferland
To learn more:
National Library of Canada's
Emma
Lajeunesse Albani - Women's Exhibition - Celebrating Women's Achievements
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