He Always Insisted I 'Smile,
face lette'*
A Eulogy
Robert Timothy Côté
May 4, 1949--November 29, 1990
By Rhea Côté Robbins
I went to see you
dead.
In Place.
"They'd already done it."
the funeral director
said
when I inquired after
your grave
had you been laid
in it?
I went yesterday
when the ground
was still bare
uncovered by snow
I looked for a mound
of fresh flowers
when no one answered my
knock
on the St. Francis Cemetery
office door.
I drove slow. Looking.
Charlie had told me
where you'd be.
Ray had already been to see you.
"I'll find him," I said.
Determined
to know where you'd be.
I see the flowers heaped high on
two other graves
close by.
I pray. I am timid.
I lock my truck.
I approach the mound
contemplating the other
two freshly dug graves
their dirt
under canvas protection
waiting occupancy.
I've come to know
where you'd be
to gather flowers
in memory
to pluck a bit of life
from you yet.
I am not sure
if this place of death
is yours.
I approach warily
thinking I'd come upon
someone's else's
dying.
I am shocked.
startled.
Taken Aback.
Relieved.
There are envelopes
with your name
on every one.
with each bouquet
sentiment of flower
I see your name in death.
I tear at an envelope
to take as proof of life.
I pull my hand back
horrified by my
greed of you.
I pluck a ribbon
scanning its word
gaining a clue
on who you are
or were to them.
Godchild.
These are from aunt Rhea.
I snatch at the ribbon.
Wildly. Madly. I circle
the mound
flowers protecting
you from bareness of being
unloved.
Us, from the view of
stark earth
freshly wounded.
Ourselves.
We can still perfume
the world of our loneliness
with the living thoughts
of you.
I circle.
I circle.
I circle
the mound.
I chant a sound
all alone
I breathe quick, piercing
cold air.
I am circling you.
Choosing my final
mementos
of flowers. You said you
hated flowers.
Too much weeding in mémèreís flower
gardens
I ask myself--
What do these flowers have
to do with you.
Did we ever send you flowers when
you lived?
Recently, your wife told me
you gave her roses
this side of the grave.
A car drives up
it is a cousin of ours
I am fearful of plucking
a flower or two
in full view.
I want to take of your
memory
unjudged.
Without being thought of
as bad.
I want to think you do not mind
my taking a flower or two
from you.
I fear their misunderstanding of my grief
how I must feed my final memory.
Or someone will say
I robbed your grave.
What right do I have to ask of you
another piece of life?
The car circles.
he gets out
Looks at me.
I wave small
He turns his back
I think he waits for me to
leave
To mourn, my brother as I do.
I hastily draw
two carnations
one sprig of eucalyptus
three shafts of wheat.
The Bread of Life I repeat
circling.
Reading. Brother-In-Law
Brother
B.P.O.E.
Eleventh hour. Robert Cote. Absent.
Intonating male deep voices
resonate in my mind's ear.
Husband. Daddy. Son-In-Law.
Another car drives in
I worry it is an aunt of his wife.
How will I explain my need of a few
of his flowers.
How can I justify my stealing from the
dead.
Like the time I neglected
to buy two more Catholic masses
(Procrastination personified
I carried the money in my purse for a year.)
five dollars apiece
for my mother when my children
needed milk.
I could not bear the thought of buying
masses
for my mother.
Besides,
I barely believe
in praying for the dead.
Sixty-two masses for one woman already to
be
said plus two more.
I heard my mother
Say--
Take the money, Rhea
I don't need anymore
prayers
where I am.
Get something for the kids.
So I took the money meant for masses
given me by my aunt and her children
my mother's sister
and I bought milk and food
for my children.
I am cold. The wind blows.
The sun so warm while
driving here
has gone away.
The car passes slowly
marking my quality of the living
among the dead.
She may be someone's aunt
but not one who will bother me
in my private visit.
She is a stranger to me.
I strike upon the thought
my mother and father
are nearby.
Our parents.
I need to tell them
he's dead.
I will be brief
but I need to stand on their
lands of dying
to feel if it is all right with them.
I need to physically
tie their being
with his again.
I need to announce their right
as parents who would mourn
deeply
the death of their son.
I need to publically proclaim
their personal pain
at the loss of their son.
From where I stand, to the left
I look for my father's
lonesome pine.
He always said he would
be laid out
underneath the lonesome pine.
My father recognized loneliness.
He was akin. brave.
true.
lonely. oneliness. alone. at
his ease in painful loneliness. alone.
Frustrated I scan the grounds
play grounds of my youth
and my youthful companion beneath
my feet.
I curse the landscape
for hiding the tree from me
I scan right
It is big enough I tell myself
I should be able to see it.
I spot it and I draw my breath.
So close
I am shocked.
I feel my spirit seeping, leaking
into the ground
I stand here now
with you but I'll be right
back
I'm going to see maman and dad.
From where I stand
as I walk closer
to the lonesome pine
I see a round white spot
huge
on its trunk.
Why is the white spot there, I wonder,
curious.
I never saw that before.
I will speak to my cousin
I will walk that way
I approach him
hello
an older man with glazed eyes now
confused
Do you remember me
I saw you at the funeral home
Rita? No I'm Rhea.
I'm here to see my brother
It's hard isn't it he asks
I'm here to see my wife
he inwardly cries.
I have stepped into his private moment
the one I did not want
broken for me.
I'm going to see my mother and father
I say
Is that your truck
you had better take it
or you will be walking
a mile
Aren't you cold
with just that
sweater on?
he asks
So Lorette is
here--
I read her
name
Loretta Cote.
She would remember me better.
He was always a busy man.
He gets in his car
drives away.
Flowers in hand
I walk
a walk
I remember then
how we would always walk
Bob and I
as children
among the dead.
Everyday we would come here
to play as friends
with each other
and the dead.
We walked our cemetery walk
dragging sticks
as we went along
sitting on our
(long-dead) pépère's
stone
telling brags
beating our chests
climbing trees
head stones
steering clear of the
freshly dead.
A hand could reach up
to grab you.
Or we would communicate
by poking long sticks
deep in the freshly disturbed earth
tapping messages, code or song
on coffins
hoping to get an answer back.
We would play tricks
on our friends
cemetery men
mourners
funeral processions
We were merciless on the Protestants
as all good, french, Catholic
children
were taught to do
we believed.
We waged Child warfare
on the Protestant dead
singing and dancing on their
brave dead
Civil War hero, Asa Redington
We wiggled our butts at their
headstones
or stuck out our tongues.
We would read their names
laughing, hooting
at the funny sounds.
Rhyming nonsense insults
shaking our fists at
the dead
running, jumping, hide 'n seek
ghost stories
tall tales
riding bikes sometimes racing
down cemetery roads
Jumping the fence to the Catholic/Papal side
we would drink water from the faucets
on the family plots
from the flower dump we would re-rob flowers
removed from the graves
by the workers
wrapping them in ribbons marked "Mother"
Plucking petals proclaiming he/she loves me
Collecting floral tubes
as missiles
bullets
or long fingernails.
We would sit in
wrought iron chairs
relatives left behind
for us, we thought
while we visited
with their dead
and conversed.
Couples courted.
Thieves hid
We spied. On all of them
the living
and the dead
from the special eyes of children
After awhile it was difficult
to tell
who was invisible.
I remembered all of this as I walked
toward my parentsí grave.
my maman saying
to those who asked "how could we live by a cemetery?"
"It's not the dead that bother you, it's
the living"
I wonder what has happened to the
tree.
Walking my cemetery walk
memory by my side
the closer I get
the sooner I realize
some kind of anger
has been here.
The tree has lost a limb
the "white" I saw
was a gash.
Violent brokeness.
spirit unrest.
Private hurricane
grief blew and down came
a limb.
Frozen agony.
Recent, too.
At my feet are its branches
still green,
warm
scent giving
carpeting the ground
tears wept
deeply. destruction upon
itself.
blown to bits. Crumbled
Cracked.
Silent. And gone.
Spent anger and grief.
My mind reels from shock.
Disbelief.
I walk to the tree
examining its sacrifice
I look all around
me
inwardly weeping
its private loss and ugliness
bleeding its compassion
expressing what my parents
cannot say.
The tree speaks
wisdoms.
Anguish at the loss of
one so young
so kind
so deeply wounded
so felt.
The ground rocks and shakes
with the tree's lamentations.
I never expected nature to react so.
The tree has lost a friend
The tree knows how his heart ached
and wept.
Defying death.
Begging time to live
to be able to draw
one more breath.
Crying silent tears
on his life
mother
and dad
Cursing the day he was born
lying on the ground
as a child
defining clouds
leaving roses
as tokens of love.
Private audiences
or bringing daughters
to view the dead.
The tree knows all this.
the tree rents its anger
inability to move
to hold in its arms
to craddle the boy/son/man
taking life from those
laid at its feet
it screamed its
pain
a high wind echoed back
breaking the limb.
The Tree of Life bled.
I layed a branch
of eucalyptus
between them both
healing oils/balm for pain
I gathered some
greens
from their grief
and carried them to him
which I laid
close to his heart.
The ground shuddered
with joy
at the joining.
Carrying away flowers
I took my leave of him
marking the trees nearby keep sentinel
of him
circling again
feeling strange for so doing
thinking I could
somehow raise
him from the dead
whirling round and round
creating a vortex
to release him from
the ground
so we could
play as we
once did.
Robert T. Côté and his Ford Truck
*lette/laid, "homily" face as an endearment...
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